China Oil Painting Reproductions

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Edvard Munch Madonna oil painting reproduction


Edvard Munch

Madonna

National Gallery, Oslo
Painting ID::  2813
 

 

VITALE DA BOLOGNA Madonna oil painting reproduction


VITALE DA BOLOGNA

Madonna

1345 Tempera on wood, 155 x 73 cm
Painting ID::  29490
 

 

Anders Zorn Madonna oil painting reproduction


Anders Zorn

Madonna

mk73 1900 pencil drawing
Painting ID::  31591
 

 

Pinturicchio Madonna oil painting reproduction


Pinturicchio

Madonna

mk83 1489-1492
Painting ID::  33231
 

 

Edvard Munch Madonna oil painting reproduction


Edvard Munch

Madonna

mk156 1894 Oil on canvas 90x68.5cm
Painting ID::  40837
 

 

Gentile Bellini Madonna oil painting reproduction


Gentile Bellini

Madonna

mk157 c.1475 Wood 75x50cm
Painting ID::  41187
 

 

Anders Zorn madonna oil painting reproduction


Anders Zorn

madonna

mk262 olja 1899 konstmuseet, budapest
Painting ID::  58564
 

 

Edvard Munch Madonna oil painting reproduction


Edvard Munch

Madonna

Madonna (1894-95)
Painting ID::  59982
 

 

Petrus Christus Madonna oil painting reproduction


Petrus Christus

Madonna

1445 Wood, 55,5 x 31,5 cm Museum of Fine Arts, Budapest We know very little about the life of Petrus Christus, though it is certain that in 1444 he obtained the citizenship of Bruges, then the richest town in Flanders and its main artistic centre. He may have been the pupil of Jan van Eyck, and in his surviving panel paintings we can see that his solutions to problems of composition and his figure types are similar to those of his predecessor. Indeed Christus's delicately wrought and brilliantly coloured works served to popularise the technique and manner of Van Eyck. Some fifteen to twenty works by Christus are known, one of which is The Virgin and Child, probably the surviving part of a triptych for home devotion. Framed by a semi-circular arch resting on slender columns and with a pleasant landscape in the background, the Virgin looks tenderly down at the naked Infant supported on her arm. Every detail has been painted with meticulous care - the minute wrinkles on the Infant's face, the foliage of the trees in the distance and the statuette of Adam and Eve on the columns at the sides, which, in alluding to the Fall, emphasize the coming Redemption through Christ. Other versions and copies have survived, indicating the popularity of this picture over the years, but unfortunately none of them give any clue as to when it was painted or who commissioned it.Artist:CHRISTUS, Petrus Title: Madonna Painted in 1451-1500 , Flemish - - painting : religious
Painting ID::  63561
 

 

Edvard Munch madonna oil painting reproduction


Edvard Munch

madonna

1902, 60.5x44.2cm se
Painting ID::  69208
 

 

Lucas Cranach Madonna oil painting reproduction


Lucas Cranach

Madonna

Medium Oil on wood Dimensions Expression error: Missing operand for *60 ?? 42 cm
Painting ID::  70463
 

 

Albrecht Durer Madonna oil painting reproduction


Albrecht Durer

Madonna

Date 1505
Painting ID::  71625
 

 

Albrecht Altdorfer Madonna oil painting reproduction


Albrecht Altdorfer

Madonna

c. 1519-1522 Oil on wood 75,8 ?? 65 cm cjr
Painting ID::  76916
 

 

Ambrogio Lorenzetti Madonna oil painting reproduction


Ambrogio Lorenzetti

Madonna

1319(1319) Oil on panel 85 x 57 cm (33.5 x 22.4 in) cjr
Painting ID::  79483
 

 

Albrecht Altdorfer Madonna oil painting reproduction


Albrecht Altdorfer

Madonna

Deutsch: um 1519-1522 English: c. 1519-1522 Medium Oil on wood Dimensions 75,8 x 65 cm cyf
Painting ID::  80292
 

 

Ambrogio Lorenzetti Madonna oil painting reproduction


Ambrogio Lorenzetti

Madonna

1319(1319) Medium Oil on panel Dimensions 85 x 57 cm (33.5 x 22.4 in) cyf
Painting ID::  82390
 

 

Bartolome Esteban Murillo Madonna oil painting reproduction


Bartolome Esteban Murillo

Madonna

Date ca. between 1655(1655) and 1660(1660) Medium Oil on canvas Dimensions 157 x 107 cm (61.8 x 42.1 in) cjr
Painting ID::  84396
 

 

Perez, Antonio Gisbert Madonna oil painting reproduction


Perez, Antonio Gisbert

Madonna
Spanish Painter, 1835-1902
. 1670(1670) Medium Oil on canvas Dimensions 166 x 115 cm cyf
Painting ID::  87149
 

 

Bartolome Esteban Murillo Madonna oil painting reproduction


Bartolome Esteban Murillo

Madonna

Oil on canvas Dimensions 157 x 107 cm (61.8 x 42.1 in) cyf
Painting ID::  88187
 

 

Boccaccio Boccaccino Madonna oil painting reproduction


Boccaccio Boccaccino

Madonna

oil on canvas cyf
Painting ID::  96447
 

 

Bartolome Perez Madonna oil painting reproduction


Bartolome Perez

Madonna

circa 1670(1670) Medium oil on canvas Dimensions 166 X 115 cm cyf
Painting ID::  97152
 

 

Bartolome Esteban Murillo Madonna oil painting reproduction


Bartolome Esteban Murillo

Madonna

oil on canvas Dimensions 157 X 107 cm cyf
Painting ID::  97420
 

 

Bartolome Esteban Murillo
Spanish 1618-1682 Bartolome Esteban Murillo Galleries Murillo began his art studies under Juan del Castillo in Seville. Murillo became familiar with Flemish painting; the great commercial importance of Seville at the time ensured that he was also subject to influences from other regions. His first works were influenced by Zurbaran, Jusepe de Ribera and Alonso Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26 he moved to Madrid, where he most likely became familiar with the work of Velazquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. He returned to Seville in 1645. In that year, he painted thirteen canvases for the monastery of St. Francisco el Grande in Seville which gave his reputation a well-deserved boost. Following the completion of a pair of pictures for the Seville Cathedral, he began to specialise in the themes that brought him his greatest successes, the Virgin and Child, and the Immaculate Conception. After another period in Madrid, from 1658 to 1660, he returned to Seville. Here he was one of the founders of the Academia de Bellas Artes (Academy of Art), sharing its direction, in 1660, with the architect, Francisco Herrera the Younger. This was his period of greatest activity, and he received numerous important commissions, among them the altarpieces for the Augustinian monastery, the paintings for Santa Mar??a la Blanca (completed in 1665), and others.
Madonna
oil on canvas Dimensions 157 X 107 cm cyf

        
   
 

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